
| Secrets of Hatfield House page 1 (with a Renaissance theater), page 2, hidden Marcus Gheeraerts murals and Queen Elizabeth's Ermine Portrait. |
Secrets of the gardens and the most difficult maze on earth. |


| Hatfield | vs | Hardwick |
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Exterior | ![]() |
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Long Gallery | ![]() |


The
warren, vineyards and the Broadwater (the 'this part artificially
widened')
located in the upper right part of the ordnance survey map replaced the
first set of marshes mentioned. Interestingly, they tell
what we replaced the marshes with yet they say nothing about the
marshes or
the need for eliminating them which was the point of the project.
We
used teams of slow draft horses pulling 'scrapers' to move the dirt
around.
They looked somewhat similar to the horse drawn snow plow at the right
only they were larger, the sides of the plows/scrapers were higher and
they used
either two or four horses. Even the children got involved. They
enjoyed commanding the large draft horses and by standing on the
sleds they
were able to have '4 mph chariot races'.
They
upped the ante by invading the stage material which we had at home and
finding stage swords as well as a trumpet and Roman helmets which were
as big as the children were. They would ride the sleds and amidst the
trumpet blare attempt to charge each other while flailing each other
with the swords (but the draft horses knew better and retreated at the
first opportunity).
The
children often got so muddy that I could not tell which ones were mine. The
children were paid for the work they did so their mothers did not mind
washing them and their clothes.
We
had to bring in at least four huge pumps and dredging
machines. One I clearly remember was a two man operated
pump based on an Archimedes screw (left) but I can't remember what the
other three machines were. (It's been over 400 years so please give me
a break.) I recall that there was one machine that was hard to get ahold of. We had to send
correspondence (and probably negotiations) back and forth to probably Oxford
several times before we got a hold of it. (The letters may be in the
Hatfield library
records.) The supervisor we signed up was the only person experienced
with such equipment but before he came he got another job offer and
broke the contract with us. We decided that we could manage without
him. Big mistake.
The
second set of marshes we drained were located a half mile north and
west of these marshes. It is in the upper left part of the map (at right)
where the two lakes are located and along the river just south of there.


King James' coach was
always vulnerable to attack if his horses could not run. On that road
they often had to walk. The road
from London was so forested with large Oaks that even at midday much of it was dark. The main problems were the large oak
branches that hung over the road in over 100 places like the oak at the left which is found on the Hatfield Estate on the Daffodil Ride. Bandits (and potential assassins) had
been known to jump from branches right on top of the coaches.
Others would cut
branches most of the way through and then hold them in place with
ropes. Then when a wealthy person's carriage came along they would cut
the ropes and the branch would drop. It would either kill or maim two
of the
horses and stop the carriage completely leaving those inside very
vulnerable. Even if they dropped in front of the horses they could not
turn around since the road was too narrow. (I'm not telling you
anything new as you have seen these tactics used in
just about every Robin Hood type movie that has ever been made.)| How did Robert Cecil keep our family from getting kidnapped? We travelled more securely by not letting anyone know when we travelled. We travelled in closed carriages. During most of the year one set out each day from London and another from Hatfield. They normally carried beef and other meat going in to London, which we had contracts for at the palace, and fish as well as other merchandise on the return run from London. We found it was cheaper to bring fish from the London docks to Hatfield and smoke it there and then send it back to London than to smoke it in London. Not only was labor cheaper but it was much more expensive to haul the wood to London to smoke fish than it was to take fish to where the wood was at Hatfield. There may be records of these contracts somewhere at Hatfield House. However, the stages may have been official crown stages, essentially delivery wagons for palace food, and who knows where those records would be or even if they still exist. We considered it part of our duty to provide pure and safe food for the crown. One dynasty in Italy had been wiped out by mercury which had been snuck into their meat over a period of months. Everyone just got sicker and sicker. Their health never returned to normal even though they finally figured out what was going on. When we travelled we usually travelled on one of these two stages. Since the curtains were always drawn nobody knew if anyone was even inside the carriage. So we didn't have to worry about being kidnapped. I think even King James and later King Charles often used it to sneak out and visit Hatfield. Usually his guard would later follow with an empty stage. It was Robert's idea with lots of input from King James. ![]() They were all
matched, had engraved gold color mechanisms and were from the
continent, I think the Archdutchy of Salzburg in modern day Austria. They
were a similar style to this two shot gun in the Royal Collection (right). It had lots of bone inlay. They were far too beautiful to ever have been thrown away or relegated to use in the field for sport. There was a depression on at the time and since we bought eight they made the engravings about twice as detailed as what we had ordered which had been 'with the best engraving', 200 hours per gun if my memory serves me accurately after 400 years. Wait a second, the one at the royal collection may have been one of them. They state: 'The manuscript catalogue of the Carlton House collection notes that 'on the under part of the Stock is an engraving not very moral', but this is no longer present.' Here As I recall there was something very 'unflattering' (or rude) on the bottom of the rifles so the one in the Royal Collection may very well have been one of ours. I can't recall what was written on them! Also, something on them hurt my finger and I think it was the little button that changed barrels after you shot one of them. It was really hard to push down.* Records of these guns including their purchase may reside at Hatfield House. I recall these very clearly because due to my boredom I stared at them for hours while riding a hundred times to and from London. 'Number two' had perfect and flawless workmanship. Also, due to boredom whenever the stage would flush birds I'd get out and shoot them with one of the guns which I kept loaded with bird shot. Hence, I put many a pheasant on our table. No robbers ever bothered our stage. Not once. |


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