Secrets of Hatfield House page 1 (with a Renaissance theater), page 2, hidden Marcus Gheeraerts murals and Queen Elizabeth's Ermine Portrait. |
Secrets of the gardens and the most difficult maze on earth. |
Hatfield | vs | Hardwick |
Exterior | ||
Long Gallery |
How did Robert Cecil keep our family from getting kidnapped? We travelled more securely by not letting anyone know when we travelled. We travelled in closed carriages. During most of the year one set out each day from London and another from Hatfield. They normally carried beef and other meat going in to London, which we had contracts for at the palace, and fish as well as other merchandise on the return run from London. We found it was cheaper to bring fish from the London docks to Hatfield and smoke it there and then send it back to London than to smoke it in London. Not only was labor cheaper but it was much more expensive to haul the wood to London to smoke fish than it was to take fish to where the wood was at Hatfield. There may be records of these contracts somewhere at Hatfield House. However, the stages may have been official crown stages, essentially delivery wagons for palace food, and who knows where those records would be or even if they still exist. We considered it part of our duty to provide pure and safe food for the crown. One dynasty in Italy had been wiped out by mercury which had been snuck into their meat over a period of months. Everyone just got sicker and sicker. Their health never returned to normal even though they finally figured out what was going on. When we travelled we usually travelled on one of these two stages. Since the curtains were always drawn nobody knew if anyone was even inside the carriage. So we didn't have to worry about being kidnapped. I think even King James and later King Charles often used it to sneak out and visit Hatfield. Usually his guard would later follow with an empty stage. It was Robert's idea with lots of input from King James. It had lots of bone inlay. They were far too beautiful to ever have been thrown away or relegated to use in the field for sport. There was a depression on at the time and since we bought eight they made the engravings about twice as detailed as what we had ordered which had been 'with the best engraving', 200 hours per gun if my memory serves me accurately after 400 years. Wait a second, the one at the royal collection may have been one of them. They state: 'The manuscript catalogue of the Carlton House collection notes that 'on the under part of the Stock is an engraving not very moral', but this is no longer present.' Here As I recall there was something very 'unflattering' (or rude) on the bottom of the rifles so the one in the Royal Collection may very well have been one of ours. I can't recall what was written on them! Also, something on them hurt my finger and I think it was the little button that changed barrels after you shot one of them. It was really hard to push down.* Records of these guns including their purchase may reside at Hatfield House. I recall these very clearly because due to my boredom I stared at them for hours while riding a hundred times to and from London. 'Number two' had perfect and flawless workmanship. Also, due to boredom whenever the stage would flush birds I'd get out and shoot them with one of the guns which I kept loaded with bird shot. Hence, I put many a pheasant on our table. No robbers ever bothered our stage. Not once. |
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